
In partnership with Camilla
For CAMILLA, storytelling has always been stitched into every seam – but its latest collaboration with The Metropolitan Museum of Art expands that narrative into something far more immersive. The Met x CAMILLA collection is not simply a meeting of fashion and art; it is a dialogue across centuries, reimagined through silk, embellishment, and movement.
That sense of movement was brought to life on Wednesday evening in Sydney, where the collection was unveiled in a setting as considered as the garments themselves.
Hosted at the Australian Chamber Orchestra on The Pier, with the Sydney Harbour Bridge framing the backdrop, the event unfolded as an extension of the collection’s world. Guests arrived via a fully printed Met x CAMILLA staircase – an immediate introduction to the collection’s visual language – before being welcomed by a live performance from Ensemble Apex, setting a tone that was both theatrical and transportive.
Inside, a strict all-black dress code created a striking sense of uniformity, allowing the collection to emerge with clarity and intent. Among the crowd, a select group of 22 guests in CAMILLA looks punctuated the space with colour and embellishment – including Maddison Brown in a Lace Sleeve Mini Shift Dress, Billie Jean Hamlet in a Hardware Detail Slip Dress, and Jasmine Gee in a Twist Front Jersey Dress – offering a first glimpse of the collection in motion. The impact was magnetic, with the romantic prints dancing against the sea of black.
The evening’s centrepiece, however, remained the collection itself.
Led by Founder and Creative Director Camilla Franks alongside Creative Director Mark Vassallo, the presentation brought into focus a capsule shaped by The Met’s vast archive. Six distinct prints translate centuries of decorative arts across womenswear, menswear, and accessories – from hand-beaded coats to fluid evening gowns and sharply tailored suiting.
In motion, the pieces reveal their full intent. Embellishments catch the light, silk moves with the body, and intricate detailing – drawn from historical reference – feels immediate and alive. Rather than simply referencing the past, the collection reinterprets it through a contemporary lens.

This balance between history and modernity sits at its core. Driven by the vision of Camilla Franks and realised with artisans across Australia and India, the designs transform cultural references into pieces that are as wearable as they are expressive.
Around the presentation, the atmosphere unfolded in layered detail. A glittering disco ball cast shifting light across sculptural florals, while DJ Mikkapedia, live strings, and a performance by Jupita created a dynamic rhythm. Even the all-black culinary offering – from caviar cones to curated cocktails – reinforced the evening’s visual cohesion.

Yet, despite the immersive setting, the collection remained the focal point – a clear expression of CAMILLA’s evolving dialogue between fashion and art.
Described by Franks as “a love letter to creativity, history, and the power of self-expression,” the collection resonated not only in the garments, but in the way they were brought to life.
In Sydney, that vision found full expression – not just on the runway, but in the space between fashion, audience, and atmosphere.









